After attending an exhibition by the Middlesborough Institute of Modern Art (mima) at the Granary Gallery in Berwick upon Tweed, I was keen to visit mima.
As I was heading south for a few days in West Yorkshire, I decided to take a short detour into Middlesborough.
It’s free to enter mima. There’s free parking for up to two hours at mima, but it’s free after 4pm on Thursdays ( which is mima’s late night opening). When we arrived there were no spaces in the car park. Fortunately a space was vacated after a couple of minutes.
The 2007 buildings’ glass walls make the foyer and the stairwells very light. The front of mima overlooks Centre Square.
There was an exhibition by Teeside born Basil Beattie entitled ‘When Now Becomes Then’. My favourites were the paintings of staircases/
The ‘Iron Lady’ photos of former British Prime Minister Margaret Thatcher reminded me of the long and bitter Miner’s Strike in the mid 1980s.
The ‘Centre for Social Making’ exhibition combined art, craft, technology and design. My favourite was the model of a red and white home interior.
I fancy having a large, bold mural on a wall in our home.
The ‘Cercle d’Art des Travailleurs de Plantation Congolaise’ was an exhibition of sculptures by plantation workers in Congo.
The sculptures are initially moulded in clay, and then reproduced in Belgian chocolate.
I wondered if any visitors had attempted to lick the sculptures.
As I was leaving there was a live performance of poetry and dance in the foyer.
Mima is closed on Mondays. Opening hours are 10am – 4.30 pm on Tuesday, Wednesday, Friday and Saturday, 10am – 7pm on Thursday and noon – 4pm on Sunday.
Although I’ve been to most of the well known museums and galleries in London, I only recently paid my first visit to Tate Britain. It’s located in Millbank, on the northern bank of the River Thames.
I was prompted to visit Tate Britain as, when I looked at a map to work out how to get to the Garden Museum in Lambeth on the south bank the Thames, I saw that it’d only take me a few minutes to walk from the Garden Museum to Tate Britain.
Before going inside Tate Britain, I ate my packed lunch in the Summer Garden.
Upon entering Tate Britain, I admired the Rotunda with its terrazzo floor.
A sweeping staircase leads to the lower floor from the Rotunda.
My eye was caught by the Christina Mackie installation featuring ten 12 metre high silk nets.
It was interesting to see Tracey Emin’s ‘My Bed’, which I better understood after reading about Emin’s bout of suicidal depression after a relationship breakdown.
I’d previously seen Jacob Epstein’s ‘Jacob and the Angel’ alabaster sculpture at Tate Liverpool, but it’s still a powerful piece.
I liked the vivid colours used in ‘How the West was Won’ by Donald Rodney.
I was rather intrigued by a Typhoo Tea packet. An online search revealed that it was an early work entitled ‘Tea Painting in an Illusionist Style’ by David Hockney.
I wasn’t sure why Peter Black was clutching a Elvis magazine in his ‘Self Portrait with Badges’.
I didn’t spot the title of this painting. To me, it resembled a foetus in its amniotic sac.
The blade wielding character in the ‘The Nanny, Small Bears and the Bogeyman’ by Paula Rego, looked like a Red Indian about to perform some initiation rite on the youngster.
I wasn’t sure if I’d be able to replicate some of the positions portrayed below.
The lighting created shadows behind the ‘King and Queen’ sculpture by Henry Moore.
The wire sculptures looked a bit like squint pylons or TV masts.
I highly recommend visiting the Tate Britain with its diverse collection of historical and contemporary British art. It’s open every day from 10am to 6pm.
I was intrigued by the mosaic pavements in the Portico of the National Gallery in London. They were created by the Russian born Boris Anrep, one of the Bloomsbury Group, a group of artists, writers and intellectuals most active in the first half of the 20th century.
The original mosaics, created in the late 1920s and early 1930s, portray the themes ‘The Pleasures of Life and The Labours of Life’. In the 1950s, a further set of mosaics, ‘The Modern Virtues’ was created. Some of the mosaics feature well-known figures from these periods.
Here are my tips for five places to visit in Wakefield, West Yorkshire.
Wakefield Council Chamber
As I walking from Wakefield Museum to the Cathedral, the beautiful County Hall caught my eye. I decided to go in to ask if I could look around. I was in luck, as there were no meetings that day, I was able to get into the Council Chamber.
The ante-room of the Council Chamber was adorned with friezes depicting historic scenes.
There was a colourful talian marble pietro dure (inlay) table.
The Council Chamber was impressive.
I assume that chair with the intricate carvings is where the leader of the council sits.
I loved the chandeliers.
It’s believed that there has been a church on this site since the 11th century. The spire is the highest in Yorkshire.
Inside, there are splendid stained glass windows.
Wakefield Cathedral was undergoing renovation during my visit, so part of the nave was closed off.
Chantry Chapel, was originally constructed in the 14th century, when the wood bridge was rebuilt with stone, is now looked after by Wakefield Cathedral.
Wakefield Museum is next to the Library.
For me, the most interesting exhibit was Edmund Waterton’s ring collection amassed during the 19th century. Edmund was the son of Victorian explorer, conservationist and naturalist James Waterton.
There’s a recreation of a Victorian kitchen
I thought that the lace sleeves of the 1932 satin wedding dress were pretty.
The dress pictured below was worn at a Victory Ball in 1919, at the end of the First World War.
The Art House
The Art House, which lets out studios to artists, has exhibitions and Open Days, but you should check for the dates on their website.
Visiting the Hepworth Gallery was the main reason for my trip to Wakefield.
I learned a lot about how Barbara Hepworth created her large sculptures.
There was a wonderful diversity of exhibits including a Snoppy Canvas, photos of the local Rhubarb Triangle and the metal on wood ‘Maquette, Theme and Variations’ sculpture by Barbar Hepworth (pictured below).
After visiting the Turner Contemporary, I decided to walk along the rather blustery Margate Harbour Arm, before heading back along the prom and beach to the railway station.
Droit House, which is now home to the tourist information office, sits next to the Turner Contemporary.
Tracey Emin’s neon lights installation ‘I never stopped loving you’ sits above the entrance. Emin was brought up in Margate and commented, “It’s a declaration of love for Margate from me, but also what I want in the summer – why go to Brighton for a dirty weekend – come to Margate. I want people to come off the train, I want them to walk along the seafront, I want them to hold hands and to have a snog and say ‘I never stopped loving you’.”
As you walk along the Harbour Arm, it’s interesting to see the Grade II listed Droit House, looking as through it’s painted on the exterior of the Turner Contemporary.
The BeBeached Cafe was very pink and cheerful.
The Lighthouse Bar lies at the end of the Harbour Arm. It was so windy that there was no-one sitting on the benches outside.
You get some of the best views back to Margate from the furthest point of the Harbour Arm.
Across from the bar, is the ‘Shell Lady’ sculpture, based on Mrs Booth who owned the guest house at which the painter Turner stayed on his regular visits to Margate.
I was glad to get back to the relative shelter of the prom, where I admired the Art Nouveau style lights along the wall.
The recently renovated Jubilee Clock Tower commemorates Queen Victoria’s Golden Jubilee in 1887.
The long stretch of sand in Margate is divided into several beaches. Palm Bay starts after the Turner Contemporary, heading west toward the railway station. There were lifeguards on duty, but no-one brave enough for a chilly dip.
Palm Bay then merges into Walpole Bay. I hoped that I’d find some respite from the wind, by sitting in a shelter at the western end of Walpole Bay, but there seemed to be no escape.
I’d intended to walk further west along Margate Main Sands to Walpole Bay. But I decided I’d had enough of the great outdoors and, after stopping to take a look at the sculpture of a man staring out to sea , I headed up to the station.
I visited the Kirklees Light Railway on a Sunday in mid April 2016, after I’d dropped Karen off at the Yorkshire Sculpture Park (in West Bretton, near Wakefield), as it’s only about 5 miles from there. The railway station was easy to turn into from the main road and there was ample free parking.
The first thing that I saw upon entering was a miniature train ride. It cost 50p per person for three rounds of the pond.
When I visited it was Kirklees Light Railway volunteer recruitment open day, so I had to fight for photography spots with the local paper reporter, who was much better equipped for those more professional snaps.
The narrow gauge steam train was puffing and ready to go.
As I was trying to mainly get out of the official photographers’ way, I ended up walking to the train shed, where a rather forlorn-looking train (named OWL) stood quietly on its tracks. It was missing the fancy day out, when the other two trains/engines were in full and working display. so, I thought I’d give it some sympathy in the form of taking its photo.
However, the friendly mechanic, a permanent member of staff, informed me that it was only on the basis of rotation that little OWL had been left out, as its tank of water (the main thing that stops the engine from overheating and melting, by turning into steam which escapes) was full – you can probably see the glass/brass water gauge in the photo, inside the driver compartment, at an angle.
This train was also the reserve, having a full load of coal, in case one of the other two became somewhat indisposed.
I left the depot for a walk on the nearby bridal path, as also advised by the friendly mechanic, where, after a couple of miles I came upon a truly magnificent modern day construction. The Emley Moor Transmission Station’s 1,084-foot (330.4m) tall concrete tower. The transmission station covers Yorkshire as well as some of Lincolnshire and Nottinghamshire.
On my walk back, I even managed to spot one of the little steam trains making its way over a hill.
Bristol, a beautiful city located in the midst of hills besides River Avon in South West England, has never disappointed its visitors. Year-round festivals, beautiful cityscapes and a blend of modern and medieval architecture are some of the major tourist attractions of Bristol. So, if you are a fun loving person and make the most of out your summer holidays, Bristol is the right choice for you.
As Bristol is famous for its year round festivals, there is a lot waiting for you during the summer as well. Here are some of the festivals you should look forward to during the summer of 2016:
1. Bristol Old Vic 250– The oldest working theatre of UK will celebrate its 250th anniversary with different programs and activities, including five famous productions from five centuries of theatre, a tribute to Shakespeare, a tribute to people who built the theatre and many other activities, from 28th to 30th May 2016.
2. Bristol Summer Series– Shout out to all Music fans, book your tickets for Bristol Summer Series as soon as possible because tickets are only available for 24th June’s show of ‘The last Shadow Puppets supported by Gaz Coombes’. So grab your tickets before you miss the last available chance of attending this amazing fun packed night.
3. Festival of Nature– If you are a nature loving person and want to have some adventurous time close to wildlife then this ‘Festival of Nature’, along the River Avon, will be the perfect choice for you. Organized by the Bristol Natural History Consortium from 11-25 June, it gives you a chance to explore the nature and wildlife with your friends, family or with your school/university fellows.
4. Bristol Harbour Festival- Organized by Richmond Event Management on behalf of the Bristol City Council, Bristol Harbour Festival will take place form 15th July to 17th July 2016. It will not only give you a chance to enjoy music, art, dance, circus, along with some great food but will also give you an opportunity to exhibit or promote your own work. So, you can also put up your own stall and make some money.
Don’t want to miss these amazing events? But concerned about the transport because you do not feel like driving yourself and taking the trouble of finding parking space at these events where a large crowd is expected. No worries! There are lots of taxi, minicab and car services in Bristol and you can definitely take their services for wonderful transportation facilities in your budget.
Some of the cab service providers in Bristol, with their web links, are mentioned here for your ease:
The service provides Taxis, Minibuses, Executive Cars, and Airport Transfers.
A fast growing private hire company with over 25 years of experience. They also provide the priority pick-up service to make you reach your destination in time just in case you forgot to make advance booking and want to be picked up very quickly.
Call Cars Bristol
If you are travelling to Bristol from any other city or country and want to have a professional car service to pick you up from the airport or you are looking for minicabs in Bristol, Call Cars Bristol would be the ideal choice for you.
And if you are looking for the cheapest taxi, cabs and minicabs services in Bristol following taxi fares comparison websites as www.minicabit.com will help you in finding the right taxi for you.
In addition to cabs, you can also get around Bristol in buses (available from all major locations), trains (available from Bristol Temple Railway Station and Bristol Parkway Railway Station) and even use any of Bristol’s ferry services.
The Arrival of Spring is an exhibition of prints of paintings created by David Hockney on his iPad. The paintings of the countryside close to Hockney’s studio in Woldgate, near Bridlington, East Yorkshire, were drawn between January 1 and May 31 2011.
The exhibition is on the third floor of Salts Mill in Saltaire village in West Yorkshire. It’s free to enter.
There’s also a digital display of iPad paintings by Hockney.
I visited The Arrival of Spring by David Hockney in mid April 2106, but I couldn’t see anything about the end date of The Arrival of Spring exhibition, so I phoned Salts Mill to ask. I was told there was no official end date. If you particularly want to see this Hockney exhibition. I recommend that you contact Salt Mills prior to visiting to check if it’s still running.
Most of the subjects are women with rather puzzled, serious expressions.
Many are sitting on sofas.
I loved the rich, dark colours used in the paintings.
There are a few paintings which focus on faces.
If you’re in the King’s Cross area of London, I recommend that you visit the Thomas Newbolt: Drama Painting – A Modern Baroque exhibition at Kings Place London. It takes around ten minutes to walk there from King’s Cross Station.
When I was last in London, I’d planned to visit the British Museum on the Sunday morning. However being greeted by warm sunshine when exiting Holborn Tube Station, (after three consecutive chilly and dull days), I decided to stay outdoors and enjoy the sunshine in some of Bloomsburys’ garden squares.
My first port of call was at Russell Square Garden, which has a pretty fountain. But it was rather busy there and I couldn’t find a bench in the sun.
Fountain in Russell Square Garden
I moved onto Tavistock Square. After a stop at the Gandhi sculpture, I found a well located bench.
Gandhi sculpture in Tavistock Square
I checked for other nearby garden squares on my phone, and decided to stroll across to Gordon Square. I read that the writer Virginia Woolfe and her sister, the painter Vanessa Bell, two of the main characters portrayed in the recent BBC drama ‘Living in Squares’, had lived at 46 Gordon Square.
Gordon Square Garden in Bloomsbury
I loved the sculpture of the Indian poet Rabindranath Tagore, who won the Nobel Prize for Literature in 1913.
Sculpture of Rabindranath Tagore in Gordon Square
The imposing Grade 1 listed Christ the King church lies at the south-western end of the garden.
Christ the King Church from Gordon Square Garden
My final Bloomsbury garden stop was in Woburn Square, just across the road from Gordon Square.
Woburn Square Garden
It’s home to an attractive Victorian style summerhouse.
Summerhouse in Woburn Square Garden
When you are in Bloomsbury, I recommend that you spend some time in its garden squares.