As I didn’t have sufficient free time to do the rounds at Perthshire Open Studios 2018, I decided to visit the two showcase exhibitions. I was disappointed by the exhibition at Pitlochry Theatre, which consisted of a few pieces in one section of the restaurant. This made me wonder if it was worth stopping off at the other Pertshire Open Studios showcase exhibition, held at the Barn Gallery at The Bield Christian retreat, on the outskirts of Perth.
Thank goodness that I did go the exhibition at The Bield, as it was wonderful. There was one piece from the majority of the 122 studios taking part in the event. Below are some of my favourites.
I was so glad that one of the artists told me that it was possible to go into the garden at The Bield that day, as I didn’t see any signs saying that the garden was open.
There was a pretty courtyard as I walked around to enter the garden.
The garden was really beautiful. Evidently the other time which it is open to the public is during a Open Gardens event in June, to raise money for charity.
I hope that I have more time to visit individual studios during the next Perthshire Open Studios.
Art Walk Porty is an annual event held in Edinburgh’s seaside district of Portobello. There are walks, artist’s talks, themed shop windows workshops, music and a parade. Lots of local artists open up their homes to display their work to the public (called Art Houses).
The dates for the 2019 Art Walk Porty are 7-15 September. If you’re planning to stay in Edinburgh for attend the event. check out Tripplo UK for hotel voucher codes to reduce the price of your accommodation.
Below are photos of some of the Art Walk Porty 2018 shop windows.
The ‘Carousel’ installation at St Marks Church, one of the Pleasure Ground locations, reminded me of the logo for my Dad’s former toy and book shop called Merrygoround.
The first Art House which I visited, was home to one of my favourite pieces.
The artist, Jude Nixon, had created a beautiful sculptural installation from rice paper panels decorated using paint applied hydrated seaweed.
Another one of my favourite Art Houses was Robin Baillie’s.
Robin’s very large, calm dog took all the visitors in her stride, as she settled down on the floor for a sleep.
I liked the fact that Teresa Gordon’s woman in a swimming costume was a more normal shape than often portrayed.
Teresa’s fish and bird lampshades were striking.
Jenny Martin’s screen printing demonstration was very interesting. Below is some of her work.
There were two artists exhibiting at Art House 36. Karl Stern’s prints were lovely.
Javier Ventura’s pieces were inspired by the former Art Deco style outdoor swimming pool in Portobello.
John Thayer’s geometric pieces appealed to me.
In 2018, Porty Art Walk lasted for ten days from 30 August to 9 September. But most of the events were on during the two weekends.
Orginally, I had only planned to attend on the first Saturday. I had an enjoyable morning visiting several Art Houses and one screen printing demonstration.
I had booked on the Pier to Pier participatory art walk by Greig Borgoyne at 1pm. I turned up expecting a saunter along the prom, starting at the location of the former pier in Portobello.
Prior to the walk, I had been emailed a link to a video on Vimeo, which was of the artist Greg walking on Hastings Pier taking a few steps then changing direction.
The 16 participants assembled to start the walk, Greg produced an enormous piece of elastic. Each participant’s video had a different number from one to twenty. Greg explained that we had to space out within the the perimeter of the elastic, trying to maintain tension. The person with the the video numbered one would start off copying Greg;s steps on their video. Everyone else would copy their steps. Once you had lead the walk, you left.
You could either hold the elastic in your hand or push against it with your body.
My video was number 19, so I knew that I was in it for the long haul.
It became really difficult to maintain the tension as the number of participants diminished. This meant that the elastic started to drag in the wet sand on the shore line. I began to wonder if I would end up with friction burns on my hands or body, as I tried to keep the elastic taut. It felt a bit like using a turbo charged Slendertone muscle toning belt. I felt as the event would have been more user friendly, if the elastic hadn’t been so long.
The art walk lasted for 50 minutes. Suffice to say that I was absolutely knackered by the end. My face was the colour of beetroot and I was covered in wet sand.
I was so exhausted, that I had to abandon my plan to visit more Art Houses in the afternoon.
That meant that I decided to return to Porty Art Walk the following day. That turned out to be a good decision, as despite arriving before opening time of 11am on Sunday, I still didn’t have enough time to get around all the Art Houses.
I did attend Greig Borgoyne’s talk on Sunday afternoon, as I was intrigued to find out more about his practice. I discovered that the length of the elastic used in the Pier to Pier participatory walk had been determined by the length of the former Portobello pier.
I thought that Porty Art Walk was a wonderful event. It was very well organised. It felt like there is a great community spirit on Portobello. All the artists were so welcoming to visitors to their home.
There was lots on at the Edinburgh College of Art. The MA Postgraduate Show was only on for one week.
Rhubaba Gallery and Studios, in Arthur Street, around half way down Leith Walk had a sound installation All in a Day’s Work by Andrea Zarza.
Further down in Leith was Andy Cumming’s Adam Lunklater: Mythopeia, based on the artist’s research into mythology and the occult.
A couple of miles east in Newhaven, was the Hemispheric Phases exhibition at Edinburgh Sculpture Workshop, based on a six month exchange between Scotland and Argentina.
The Open Eye Gallery in the new town was exhibiting work by the Scottish artist John Bellany.
Confusingly some art exhibitions were not part of the Edinburgh Art Festival, but part of the main festival. I’d read about one these, Paperwork 5 at the Edinburgh Ski Club.
On my walk back to the car from the Ski Club, I was really glad that I spotted the Six Women in Glass exhibition at Converge
I attended a free Saturday morning workshop at the Partriothall Gallery in Stockbridge, based on the It Is Incredible How Much Happiness We Sometimes Share Together by the Slip Collective. I didn’t see this exhibition mentioned in the Edinburgh Art Festival programme, but knew about it as I am on the Patriothall mailing list. The workshop participants took a walk along the nearby Water of Leith to collect some flora to use for printing fabric. Below is my piece.
It illustrates that it’s a good idea to look out for exhibitions and events which may not be part of the Edinburgh Art Festival, but take place during the same period.
The Arts and Crafts Trail in Kirkcubright, in south west Scotland, celebrated it’s 15th year in 2018. It’s usually held over the first weekend in August.
In 2018, there were 108 venues on the Art and Crafts Trail, predominantly in town. I arrived one hour before the official opening time of 11am, to ensure a good parking space and get my bearings.
The Sea Hames willow sculpture was located by the harbour car park.
Some local residents also opened their gardens to the public during the event. I popped into see one, as the rain had stopped when I came out Kirkcubright Galleries.
The theme of the 2018 Arts and Crafts Trail was pirates. Some local residents were participating by having pirate pictures in their window.
I spent quite a bit of time at the Tolbooth Arts Centre, which was hosting three exhibitions.
The winning entries from the Rotary Young Artists’ Competition were displayed in the stairwells.
I loved the jewellery display by Red Squirrel Crafts, desgined and created by Beth Currie.
The crocheted jewellery inspired by nature.
My next port of call was Cochrane Hall.
I enjoyed my visit to Greengate, the former home of Scottish illustrator Jessie M King, whose work I had seen earlier in the day at Kirkcubright Galleries.
Greengate is still home to an artist, Pauline Saul, one of the founders of the Arts and Crafts Trail.
The view from the Garden Studio, venue 33, reminded me of the scene painted by Peploe, which I had seen that morning in Kirkcubright Galleries.
The Harbour Cottage Gallery is in a great location.
Below are photos of some of the other venues on the Arts and Crafts Trail in Kirkcubright.
I did manage visit one of the venues located outside Kirkcubright, at the Marrbury Smokehouse, which sits beside Carsluith Castle, as you drive west of the A75 towards Dumfries. I was only able to the pieces by Ruby Marr which were on display in the cafe. You had to come to an evening event to see the full exhibition.
I reckon that you could spend two or three days on the Arts and Crafts Trail in order to visit all the venues. I think it is a wonderful event. Everyone at the venues was so friendly and welcoming. There is so much artistic talent in the area.
Kirkcubright Galleries opened in June 2018. I was keen to visit, as Kirkcubright has a reputation as an artists’ town.
I liked the wrought iron work on the gate in front of the the main entrance door.
My first impression positive. The staircase was beautiful and there was a feeling of light and space.
The first floor cafe had views over to the church opposite.
As I have a National Art Pass, I didn’t have to pay the £4 adult admission fee to see the Stars of Scotland temporary exhibition. My favourite piece was by the Scottish colourist J D Fergusson. Unfortunately, photography was not permitted in the exhibition.
The permanent collection is housed on the ground floor.
I really liked the decorated chairs by William Miles Johnstone, a bird and animal artist.
There were some gorgeous ceramics.
Peploe’s depiction of Kirkcubright is more colourful that reality.
Jessie M King, who lived in Kirkcubright, was best known for her book and magazine illustrations, but she also designed fabrics (for Liberty), jewellery and painted pottery.
Below are greetings card designed by King.
Below are two of her illustrations for Wynken, Blyken & Nod by poet Eugene Field.
There were sculptures of animals and their young by Phyllis M Bone.
Below are some photos of other exhibitions at Kirkcubright Galleries.
Kirkcubright Galleries is open on Monday to Saturday from 10am to 5pm. On a Sunday it’s noon to 5pm. It’s free to enter, except for some temporary exhibitions. There’s plenty of free parking in Kirkcubright.
Spring Fling is an annual art and craft open studios event in Dumfries and Galloway, in south west Scotland. I attended the event in late May 2018.
The studios are dispersed over a wide geographic location. The event organisers suggest six colour coded routes to follow. However, I decided to draw up my own itineraries, based on visiting the studios which were of the most interest to me.
This was a complex task, especially as I am not familiar with that area. I also had to factor in different opening hours and the travel time between venues.
Below are photos from a few of the Spring Fling studios which I visited.
Christime Hester Smith
Ir you’re interested in arts and crafts, I recommend a visit to Spring Fling. It’s a great opportunity to meet the artists, see them at work and purchase their pieces.
I did an online search for art galleries in Ayrshire, when planning my drive south to Dumfries and Galloway for the Arts and Crafts Trail in Kirkcubright. My search brought up the Rozelle House Galleries and the Maclaurin Gallery in Ayr.
Initially, I was a bit confused wondering if the two galleries located in different places. But they are adjacent.
Rozelle House is a former mansion house which was gifted the Royal Burgh of Ayr in the late 1960s. It then became an art gallery. In the mid 1970s, the stable block and servants quarters and became the Maclaurin Gallery.
There were plenty of parking spaces in the free car park when I arrived early on a Thursday afternoon.
I started off in the Maclaurin Gallery, which is accessed through the courtyard.
I really liked William Dick’s The Paper Works exhibition.
As it was raining, I had a rather quick look around the Sculpture Park.
Then it was back inside to the Rozelle Galleries.
There’s a Henry Moore sculpture at the bottom of the staircase.
I thought that some of the pieces by the Ayr College students in their HND Art & Design exhibition were wonderful. The young woman portrayed on the left below is constructed with jigsaw pieces.
The man on the right below was made by painting on a tapestry.
Below are photos of some of the other exhibits.
Upstairs at Rozelle, there was an exhibition of Alexander Goudie’s painting depicting Robert Burns’ Tam o’Shanter. Most didn’t appeal to me, being too dark coloured. The one I liked was of Brig o’Doon.
The basement walls outside the toilets had been painted by local young people.
I highly recommend a visit to the Rozelle Galleries and the Maclaurin Gallery in Ayr. It was free to get in and the galleries are open Monday to Saturday 10am to 5pm and noon to 5pm on Sundays. But do check before you visit as many museums and galleries opening hours have been reduced and charges introduced to see some exhibitions, due to spending cutbacks by local authorities.
When I stopped in Irvine, on the Ayrshire coast of Scotland, to visit the Scottish Maritime Museum. I decided to take a walk along the harbour road. It was a pretty dull day, but thankfully dry after earlier rain. I had a quick look in Harbour Arts Centre. I really liked the sculpture opposite the centre.
Inside, there was a painting of Harbour Street.
When I visited in August, I saw the Futureproof 2018 exhibition by Street Level Photography. It was the tenth exhibition of work by emerging artists who graduated from Scottish Fine Art and photography courses.
There’s a cafe in the Harbour Arts Centre. It’s wise to check opening hours before visiting, as it’s closed on Mondays and may be closed at the weekend. It’s generally open Tuesday to Friday 9.30 to 16.30.
The Scottish Maritime Museum is located in Irvine on the Ayrshire coast. It’s not a state run museum, so there is an entry charge of £7.50 for adults (aged over 16), the concessionary price is £5.50. Up to three children enter free with one adult (full price or concession).
I decided to visit the Scottish Martime Museum for two reasons. It on my way to Dumfries and Galloway for the Arts and Crafts Trail in Kirkcubright and I wanted to see the Maritime Perspectives art exhibition, which was on at that time.
As I have an National Art Pass, I didn’t have to pay the entry charge. There’s a free car park in front of the museum.
There were some exhibits in the grounds of the museum.
I spent most time in the Maritime Perspectives art exhibition, in which you weren’t permitted to take photos.
The art theme continued in the museum. The ‘Propping Through Riverside’ architectural installation, a collaboration between an artist and an architect, illustrates the processes, techniques and construction methods used on the River Clyde.
I was interested to ready about George Wyllie’s ‘QM’ installation. His 80 foot long paper boat, lamenting the loss of heavy industry in the west of Scotland, toured the world for seven years, before being dismantled.
The last remaining piece of the installation is displayed in the Scottish Maritime Museum in Irvine.
Tom McKendrick’s ‘Hole Borer’ installation is a altar dedicated to the trades and mythologies of the shipbuilding industry.
I liked the posters for ferry trips.
The museum in Irvine is housed in the Victorian glass roofed Linthouse, the former Engine Shop of Alexander Stephen and Sons shipyard in Govan in Glasgow. The building was dismantled and rebuilt in Irvine. This vast building is very appropriate for the large industrial exhibits.
The Scottish Maritime Museum in Irvine makes a good effort to engage young visitors. There is a wardrobe full of clothes for dressing up in period custume.
You can also try your hand at various nautical knots.
The models of ships were very intricate.
I believe that visitors interested in engineering, seafaring and industrial heritage would get a lot out of the Scottish Maritime Museum than me.
The Glasgow International is Scotland’s largest festival for contemporary art. In 2018 it ran from 20 April to 7 May. The festival runs every second year.
With 268 artists work on show at 90 exhibitions and more than 80 events over 78 venues. I found it really hard to decide what to attend and then to organise an itinerary.
The Glasgow Internation 2018 website was very user friendly. It allowed you to search by dates, geographic location, artist, exhibition, event or date.
Part of my quandary was on several days, there were events which I fancied on at the same time. Then the dispersed venues meant that I might not have time to travel between venues if an event end time was close to another event’s start time.
In order to make the most of the Glasgow International you do have to be super organised. You need to double check the opening hours and days of venues. I thought that I had done this, but I still managed to arrive at the Glasgow Sculpture Workshop around 11am, when it didn’t open until noon.
Then work out the best way to get between the venues. I did a mix, taking the train from Stirling to Glasgow Queen Street and then walking around the city centre and Southside one day. On another day, I drove to Glasgow, parked at our son’s flat and then walked around the West End.
The other four days, mainly weekends, I took the car to drive around dispersed venues. I managed to be in the East End on a day when Celtic were playing at home, when the roads were jam packed and it was hard to find a space to park. I was on my way to see Carla Scott’s Stretch/Pulled/Inked exhibition at Impact Arts. I am so glad that I persevered in looking for a parking space, as I loved Carla’s work pictured below.
I wanted to achieve a balance of seeing several events and exhibitions per day, without dashing around like a headless chicken. You should also beware of sensory overload. You might get more out of doing less.
The Pipe Factory exhibition was spread over four floors. I arrived there with only 45 minutes until closing time at 6pm. I wish that I’d spent a lot longer there. The annoying thing was that I had spent around 40 minutes getting to and from another exhibition in the East End which I didn’t appeal to me. But then how long should you allow to see each exhibition? It’s so hard to know until you get there.
There were several exhibitions at SWG3. My favourite was Judy Blame’s.
I liked the rope sculpture at the Briggate, formerly Glasgow’s fish market.
There were some interesting pieces at the Savoy Tower.
I really liked the ceramics at the nearby Savoy Centre.
The dome in The Savings Bank was beautiful I went there to see Michelle perform Keener, but unfortunately she had to cancel the performance due to vocal cord issues.
I visited Lauriston Arches on the first day of the Glasgow International. Some artists were still in the middle of setting up their work. I didn’t have time to return to that venue to see all the exhibitions.
It would be fab to live in such a colourful house as portrayed Duggie Field’s show at the Modern Institute in Osborne Street.
The multitude of coloured loaves at the David Dale Gallery was eye catching.
I enjoyed Linder’s talk at the Glasgow Women’s Library. Linder was commissioned to create a flag and a short film for Glasgow Women’s Library.
One of the highlights of the Glasgow International was Necroplis Action performed by XSexcentenary.
I also had a great time at a workshop offered by the Glasgow Open Dance School (GODS) at the Old Barn in Pollok Park.
I’m looking forward to Glasgow International 2020.