I visited the V&A Dundee in mid October 2018, around three weeks after the museum opened. As a Dundonian, I was expecting great things of the V&A Dundee.
I’d seen the construction progress during visits to the city over the last couple of years. I thought that the building looked like a large dark ship jutting out on the Tay Estuary. I really liked it.
It was cloudy morning, with heavy rain forecast for later, when I arrived in Dundee. Therefore, I started off my visit with a good walk around the exterior of the V&A Dundee, in the hope of avoiding the heavy rain.
However, as I looked at the building close up, I wasn’t so impressed. It appears to be constructed mainly with concrete. You can see the large steel brackets which secure the concrete slabs at an angle.
My disappointment continued inside the V&A Dundee. There was so much space, but so little to see (free of charge). There was the Ocean Liners exhibition, but as it cost £12 for adult entry. I didn’t go in.
On the ground floor, there was an information/ticket desk, a gift shop and a cafe. The cafe become really busy during my visit. There weren’t enough tables and chairs, customers were having to take their drinks and snacks over to the seating at the bottom of the walls.
With a southerly aspect on an estuary, I expected great views from the museum. But no, there were only some letter box style windows, most of them located well above eye level. Surely, particularly in Scotland, you’d want to let as much natural light as possible into a building?
The best part of top floor which had large windows with views to the estuary and the adjacent Discovery Point, was a restaurant and bar. We attempted to go there for a coffee, but were told that the tables were reserved for those having a meal. So much for the architects claim of of the V&A Dundee being a living room for the city.
Now I reckon that you could easily see the free sections of the V&A Dundee, both located on the top floor, in under one hour
There was an exhibition called the Scottish Design Relay on the landing. Young people throughout Scotland were challenged to co-design a new object, service or artwork.
There was a queue to enter the Design Galleries. There were interesting exhibits such as the Rennie Mackintosh Oak Room, some tapestries, clothing and an interactive display on wellie construction.
I liked Ciara Phillip’s ‘This, looped’ installation beside the queuing area for the Design Galleries.
My recommendation would be to go into the V&A Dundee when it’s quieter. Either early, arriving at the opening time of 10am, or arriving later around 4pm. There is plenty else to see and do on a trip to Dundee. I recommend the Mcmanus Galleries, Dundee Contemporary Arts and Discovery Point.
With a price tag of £80m, the V&A Dundee should have wowed me. I don’t even blame the architect Kengo Kuma. Architects have their flights of fancy. It was up to the client to say ‘hold on a minute, where are the windows, to let in natural light and expose the views, and the space for the exhibits’? In my opinion, in design terms, as public space, and a as a museum, the building is a total flop. Looking good from a distance is not as important as the interior fulfilling its purpose.